||Arturia B-3 V v126.96.36.19995 虛擬 Hammond 風琴插件
|Arturia B-3 V v188.8.131.5295 虛擬 Hammond 風琴插件
|Arturia 的 B-3 V 是一個新的經典 B-3 音輪風琴和 Leslie 旋轉喇叭的組合軟件模擬。
B-3 V 設計上仿真了經典的 Hammond B3，並增加了新的功能：
Voice Modulator（聲音調製）：可以讓你通過 LFO（低頻振盪器）、包絡甚至一個步進音序自動化拉桿。這為加法合成聲音設計開啟了新的途徑，應用到了風琴的基礎中。
Analog Mod（模擬調製）：通過 B-3 V，你可以調節以前難以獲得得模擬特徵，包括音輪洩漏量，拉桿洩漏量，按鍵音量等
TONEWHEEL ORGAN HEAVYWEIGHT. The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities.
Monarch of electronic organs, the rich sounding B3 has been a staple of jazz, gospel, rock, reggae and R&B—not to mention pro studios everywhere—for over a half century. Its electromagnetic tonewheel design gave it a beefy quality not found on later transistor organs. Our faithful homage includes an authentic rotary speaker and an array of stomp boxes, plus inspiring updates like analog circuit mods and drawbar modulation for new animated and syncopated effects.
The B-3 V gives you the sound of undisputed organ royalty—roadies not required.
No other organ captured the hearts of keyboardists, spanning so many genres and years. It had the subtlety for jazz at the hands of artists like Jimmy Smith, Joey Defrancesco and John Medeski. It had the grace for gospel, as demonstrated by Elbernita “Twinkie” Clark and Cory Henry. It had the energy to drive the reggae behind the likes of Bob Marley and Jimmy Cliff, and the soul of James Brown and Sly Stone. Most visibly, it had the raw power to hold its own in a rock world as diverse as ELP, Santana, Yes, Pink Floyd, Deep Purple, The Allman Brothers, and Blood, Sweet and Tears.
Whether you’re playing solo, in a group, or in a mix, Arturia’s B-3 V lets you cover the organ parts for any genre using the sound and feel of the real thing.
Even if you already have a virtual tonewheel organ…
you owe it to yourself to try the B-3 V.
There are organs and there are B3s. Then there are B3 emulations and Arturia’s B-3 V. Where most other attempts are based on samples that only capture some of the qualities, we created the B-3V using the same critically acclaimed modeling technology that distinguishes our entire V Collection of classic instruments. We put that same attention to detail into the included rotary speaker as well.
When you can have the best, why settle for anything less?
Even better with age
The B-3 V improves on a classic, with everything you need in an organ rig and more built right in.
Rotary speakers have become an essential part of the tonewheel organ sound, so we’ve naturally included one. Why stop there? We’ve added lots of other options including multiple reverbs, an array of effects pedals, and even the ability to modify previously fixed analog circuit features like key click. Our most radical enhancement is the addition of a modulation section to automate the movement of drawbars using envelopes, LFOs and step sequencers, letting you infuse your music with new animated textures.
With its combination of faithful realism and new mods, the B-3 V has you covered whether you’re playing standards, rocking classics or pioneering new musical ground.
Physical Modeling Engine (no samples)
Dual manual Interface
Each manual has separate MIDI channel preferences
9 Drawbars per manual
3 modeled chorus and vibrato settings
Separate upper and lower ON/OFF
Modeled rotary speaker emulator
Advanced controls for adjusting the model
Convolution based Reverb
Traditional Leslie performance controls
Output effects where you can change the order
Volume, wah, auto-wah
New Advanced Drawbar modulators
LFO’s with multiple waveforms and phase
Drawbar destinations with positive and negative amount controls
Physical model engine parameters
Key click volume
Attack and release controls
86 factory presets
Easy to use MIDI mapping